Kaynaklar

Temel Kaynaklar

Sentetik Veri: Genel ve Teknik Kaynaklar

  • Patel, P. (2024). “Synthetic Data.” Business Information Review, 41, 48–52.

  • Tiwari, V., Dasari, V. S. R., & Agrawal, K. (2025). “Synthetic Data as a Catalyst: Applications in Healthcare, Environment, and Beyond.” 2025 IEEE 16th Annual Information Technology, Electronics and Mobile Communication Conference (IEMCON), 417–426.

  • Marwala, T., Fournier-Tombs, E., & Stinckwich, S. (2024). The Use of Synthetic Data to Train AI Models: Opportunities and Risks for Sustainable Development. UNU Centre for Policy Research.

Sentetik Veri ve Kişisel Verilerin Korunması

  • Bartholdy, M. (2026). “Positioning Synthetic Data under EU Data Protection Law.” Computer Law & Security Review, 61.

  • Beduschi, A. (2024). “Synthetic Data Protection: Towards a Paradigm Change in Data Regulation?” Big Data & Society, 11.

  • Bellovin, S., Dutta, P., & Reitinger, N. (2018). “Privacy and Synthetic Datasets.”

  • Boudewijn, A., & Ferraris, A. F. (2024). “Legal and Regulatory Perspectives on Synthetic Data as an Anonymization Strategy.” Journal of Personal Data Protection Law, 17, 17–31.

  • Cairo, M. (2023). “Synthetic Data and GDPR Compliance: How Artificial Intelligence Might Resolve the Privacy-Utility Tradeoff.” Journal of Technology Law & Policy, 28(1), 4.

  • D’Acquisto, G. (2024). “Synthetic Data and Data Protection Laws.” Journal of Data Protection & Privacy, 6(3), 227–239.

  • de Vries, K. (t.y.). “A Researcher’s Guide for Using Personal Data and Non-Personal Data Surrogates: Synthetic Data and Data of Deceased People.”

  • Kurapati, S., & Gilli, L. (2023). “Synthetic Data: A Convergence between Innovation and GDPR.” Journal of Open Access to Law.

  • Lopez, C., & Elbi, A. (2022). “On the Legal Nature of Synthetic Data.”

  • Pilgram, L., Fineberg, A., Jonker, E., & El Emam, K. (2025). “An Assessment of Synthetic Data Generation, Use and Disclosure under Canadian Privacy Regulations.” AI and Ethics, 5(6), 6225–6240.

Sentetik Veri ve Fikri Mülkiyet

  • Gal, M., & Lynskey, O. (2023). “Synthetic Data: Legal Implications of the Data-Generation Revolution.” SSRN Electronic Journal.

  • Lynskey, O., & Gal, M. S. (2024). “Synthetic Data: Legal Implications of the Data-Generation Revolution.” Iowa Law Review, 109(3), 1087–1156.

  • Manteghi, M. (2024). “Can Text and Data Mining Exceptions and Synthetic Data Training Mitigate Copyright-Related Concerns in Generative AI?” Law, Innovation and Technology, 16(2), 663–686.

  • Tyagi, K. (2025). “Synthetic Data, Data Protection and Copyright in an Era of Generative AI.” Journal of Intellectual Property, Information Technology and Electronic Commerce Law (JIPITEC), 16(2), 176–200.

Sentetik Veri ve Sağlık

  • Alloza, C., Knox, B., Raad, H., Aguilà, M., Coakley, C., Mohrova, Z., Boin, É., Bénard, M., Davies, J., Jacquot, E., Lecomte, C., Fabre, A., & Batech, M. (2023). “A Case for Synthetic Data in Regulatory Decision-Making in Europe.” Clinical Pharmacology & Therapeutics, 114, 795–801.

  • Giuffrè, M., & Shung, D. (2023). “Harnessing the Power of Synthetic Data in Healthcare: Innovation, Application, and Privacy.” NPJ Digital Medicine.

  • Nišević, M., Milojevic, D., & Spajić, D. (2025). “Synthetic Data in Medicine: Legal and Ethical Considerations for Patient Profiling.” Computational and Structural Biotechnology Journal, 28, 190–198.

  • Vallevik, V. B., Befring, A. K. C., Elvatun, S., & Nygård, J. F. (2026). “Processing of Synthetic Data in AI Development for Healthcare and the Definition of Personal Data in EU Law.” International Journal of Law and Information Technology, 34.

Yapay Zekâ, Eğitim Verileri ve Fikri Mülkiyet

  • Bonadio, E., & McDonagh, L. (2020). “Artificial Intelligence as Producer and Consumer of Copyright Works: Evaluating the Consequences of Algorithmic Creativity.” Intellectual Property Quarterly, 2020(2), 112–137.

  • Lim, D. (2019). “AI & IP Innovation & Creativity in an Age of Accelerated Change.” Akron Law Review, 52(3), 813–875.

  • Opderbeck, D. W. (2024). “Copyright in AI Training Data: A Human-Centered Approach.” Oklahoma Law Review, 76(4), 951–1023.

  • Schurz, M. (2025). “Fair Use or Foul Play? Copyright Law’s Battle over Using Sound Recordings in AI Training.” UC Law SF Communications and Entertainment Journal, 48(1), Article 5.

Sentetik Medya, Dijital Kopyalar ve Kişilik Hakları

  • Baris, A. (2024). “AI Covers: Legal Notes on Audio Mining and Voice Cloning.” Journal of Intellectual Property Law & Practice, 19(7), 571–576.

  • Benabou, V.-L. (2026). “Deepfakes and Private Rights in the Perspective of EU Law: Is It Necessary to Intervene?” Columbia Journal of Law & the Arts, 49(4), 729–753.

  • Chubb, J. A., Harrison, P. S., Tompkinson, J., & Thompson, E. (t.y.). “How Close Is Too Close? Digital Replicas and Protection of the ‘Unfixed’ Voice.” University of York.

  • Curren, A. (2023). “Digital Replicas: Harm Caused by Actors’ Digital Twins and Hope Provided by the Right of Publicity.” Texas Law Review, 102(1), 156–183.

  • Josan, H. S. (2024). “AI and Deepfake Voice Cloning: Innovation, Copyright and Artists’ Rights.” Digital Policy Hub Working Paper.

  • Koski, R. M. (2024). “Warhol, Drake, and Deepfakes: Monetizing the Right of Publicity in the Generative AI Era.” Georgia State University Law Review, 40(4), 981–1027.

  • Marlan, D. (2025). “Generative Identity Theft: Criminalizing Deepfakes Using the Right of Publicity.” Akron Law Review, 58(3), Article 4.

  • Moyer, K. (2026). “Preserving What’s Real: The NO FAKES Act as a Federal Right against Unauthorized Digital Replicas.” University of Toledo Law Review, 57, 519–541.

  • Pathak, A., & Saroha, M. N. (2026). “Protection of Personality Rights in the Digital Era: Global IP Challenges and Emerging Legal Strategies.” International Journal of Science, Strategic Management and Technology, 2(5).

  • Shields, E. (2025). “The AI Doppelgänger Dilemma: Cloned Voices in the Music Industry.” Seattle University Law Review, 48, 761–784.

  • Shirish, A., & Komal, S. (2024). “A Socio-Legal Inquiry on Deepfakes.” California Western International Law Journal, 54(2), 517–560.

  • Yang, C. (2024). “Is Chinese Law Well-Prepared for AI Songs?: A Note of Caution on the Over-Expansion of Personality Rights.” Cardozo Arts & Entertainment Law Journal, 42(2), 101–133.

Yapay Zekâ, Yaratıcı Endüstriler ve Çalışma Hayatı

  • Almeda, S., Netzorg, R., Li, I., Tam, E., Ma, S., & Wei, B. T. (2025). “Labor, Power, and Belonging: The Work of Voice in the Age of AI Reproduction.” Proceedings of the 2025 ACM Conference on Fairness, Accountability, and Transparency (FAccT ’25), 1238–1249.

  • Collins, A. C. (2026). “Garbage In, Garbage Out? How the Monster of AI Art Reflects Human Fault, Bias, and Capitalism in Contemporary Culture.” AI & Society, 41, 4655–4689.

  • Huang, J., Hitchen, G., & Dogan, S. (2025). “Generative AI in the Screen and Live Performance Industries: A Conceptual Framework and Prospects for Future Research.” Convergence: The International Journal of Research into New Media Technologies, 31(6), 1971–2005.

  • Kyi, L., et al. (2025). “Governance of Generative AI in Creative Work: Consent, Credit, Compensation, and Beyond.” Proceedings of the CHI Conference on Human Factors in Computing Systems.

  • McCarthy, C. R. (2024). Artificial Intelligence and the Entertainment Industry [Honors thesis]. University of New Hampshire.

  • Paul, A. (2023). “The Voice Actor and Their Double: Working as a Voice Actor and Teaching Voice Acting in the Age of AI Voice Cloning.” Tradition-Innovations in Art, Design, and Media Higher Education, 1(1).

  • Schatten, M. (2024). “AI and the Future of Entertainment Technology.” HAL Open Science, Preprint hal-04637685.

  • Sharma, T., Zhou, Y., & Berisha, V. (2025). “PRAC3: Voice Actors in AI Data-Economy.” AIES 2025, 2360–2372.

  • Sharma, T., et al. (2026). “V.O.I.C.E: Risk Taxonomy of Synthetic Voice Generation from Empirical Data.” arXiv preprint.

  • Sommer, E. (2025). “Real Concerns for an Artificial Threat: Artists, AI, and the Battle to Script Hollywood’s Future.” Nevada Law Journal, 25(2), 449–510.

  • Thomas, S. (2024). “AI and Actors: Ethical Challenges, Cultural Narratives and Industry Pathways in Synthetic Media Performance.” Emerging Media, 2(3), 523–546.

  • Thomas, S. (2024). “‘Somebodies’ and ‘Nobodies’: Generative AI and Audiovisual Performer Labor.” The Velvet Light Trap, 94, 64–75.

  • Voinea, D. V. (2025). “The Algorithmic Auteur: AI, Cultural Production, and the Reconfiguration of Audiovisual Media.” Social Sciences and Education Research Review, 12(1), 256–268.

  • Woronkowicz, J., Noonan, D. S., & Skaggs, R. (2026). “GenAI and Creative Labor: New Evidence on Valuation, Inequality, and Adoption.” Work and Occupations, 53(3), 599–634.

Yapay Zekâ ve Oyun Endüstrisi

  • Addla, N. (2026). “Generative AI for Dynamic NPC Behavior and Procedural Content Generation in Games.” International Journal of Emerging Trends in CS & IT, 7(2), 272–290.

  • Al-Surayhi, M. M., et al. (2025). “Generative Artificial Intelligence in Game Design: A Narrative Review.” Journal of Ecohumanism, 4(4), 1702–1712.

  • Begemann, A., & Hutson, J. (2025). “Navigating Copyright in AI-Enhanced Game Design: Legal Challenges in Multimodal and Dynamic Content Creation.” Journal of Information Economics, 3(1), 1–14.

  • Dimita, G. (2023). “Understanding Intellectual Property in Video Games.” WIPO Committee on Development and Intellectual Property.

  • Ternar, D.-A., Denisova, A., Cunha, J. M., Kultima, A., & Guckelsberger, C. (2026). “Generative AI in Game Development: A Qualitative Research Synthesis.” Proceedings of the 2026 CHI Conference on Human Factors in Computing Systems (CHI ’26), 1–24.

Proje Ekibinin Çalışmaları

  • Aksoy, H. C. (2025). “Mahremiyet Artırıcı Teknolojiler, Gizlilikten Ödün Vermeden Yapay Zeka Teknolojisinin Gelişimini ve Kullanımını Nasıl Teşvik Edebilir? Türkiye İçin Bir Politika Önerisi.” Kişisel Verileri Koruma Dergisi, 7(2), 173–188.